GOMA Gallery of Modern Art Waterford
22nd October – 24th November 2024
GOMA in collaboration with the Imagine Arts Festival are delighted to invite you to….
The Ties that Bind
Shell/ter Artist Collective (S/TAC)
Diana Copperwhite, Allyson Keehan, Niamh McGuinne, Sharon Murphy, Geraldine O’Neill
‘The Ties that Bind’ is S/TAC’s fourth show to date and focuses on emotional, somatic and psychological aspects of shelter, presenting the collaborative installation The Clothesline, a short film The Ties that Bind and a selection of works from each of the artists.
The Clothesline comprises approx 45 painted and printed textile pieces, each depicting a particular source of imagery, approach and palette associated with the members of the collective as individuals. While each carries the distinctive marks and gestures of each of the five artists of S/TAC, the whole work is unified through over printing using colour and stencilled motifs which reference a connecting theme of exposure and masking of internal body organs. The collaborative installation acts as a symbol of shelter, connectedness and intersection which overtly plays with notions of ‘life on view’, private versus public, acts of display and exposure, domesticity and ‘women’s work’…
Developing this concept, in The Ties that Bind, the clothesline can signify a variety of feminist and feminised ideas and is a deep reaching metaphor for the ties that bind families, communities and women together. Strung together it becomes a symbol of the chaos and intersection of lives and cultures within an imposed vertical grid. The lines can be seen to embody twin notions of shelter/ exposure; concealment/revelation; reality/fiction; conscious/unconscious.
Accompanying these collaborative works are a selection of pieces by each of the artists which provide some hints and suggestion to the particular significance/resonance to each and how that feeds into and is nourished by the participation and collaboration of a collective.
Curated by Jenna Whelan.
About the CollectiveThe Shell/ter Artist Collective (S/TAC) evolved organically during the pandemic 2020 and was driven by a desire of the artists to talk about the effects, both personal and professional, of a shifting and unpredictable world. In this dynamic space the artists found ways to explore, enrich and diversify their independent practice while supporting one another. The Collective explores the concept of shelter from emotional, psychological, and philosophical perspectives and previous exhibitions include ‘Shelter’ at the National Gallery of Ireland 2023 and ‘The ladder is always there’ in Draiocht in 2023/2024. Shared identity, common purpose and egalitarian values underpin much of the desire to work as a group, and the nature of this engagement continues to shift and develop.
Diana Copperwhite (RHA) is a member of Aosdána and draws particular inspiration from early Irish modernism. Her paintings explore the relationship between colours, gestures, figuration, and representation. She gives structure to the unseen world of atoms and molecules to examine the psychological and spatial interpretation of self. Layering fragmented sources that range from personal memory to science, media and internet, Copperwhite’s canvases become worlds in which the real is unreal and this unreality is in a constant state of reforming.
www.dianacopperwhite.net
Allyson Keehan is an Irish visual artist based between Ireland and Scotland. She was awarded PhD in Fine Art from Glasgow School of Art in 2021 titled ‘Painting and Materiality: Three Creative Strategies for Transformation’. Her research is in the expanded field of painting and the use of drapery in art. Looking closely at veiling and artifice, her practice incorporates drapery and framing to create complex structural experiences of real and imaginary spaces. Drapery has a wealth of history relating to painting and these propositions amplify the experience of viewing and understanding.
www.allysonkeehan.ie
Niamh McGuinne‘s practice combines print, sculpture, textile, film and installation. The immersive nature of her background in paper conservation working with historical collections informs this art practice. Conceptually she is interested in the body as the protector, a shell in which to develop…and how time and growth are marked and interpreted. Her work has an element of the performative, either as a space or as costume in which to interact, which present an invitation to participate – physically or imaginatively.
www.niamhmcguinne.com
Sharon Murphy is visual artist based between Dublin and Paris whose practice is lens-based incorporating photography, video, installation and drawing. Her work investigates the boundaries between the seen / unseen, fictive / real, conscious / (sub)liminal. Drawing on a background in theatre and informed by concepts in magic realism and psychoanalysis, recurring motifs in her work include: theatre curtains; carousels; circus tents, performative sites; embodied staged spaces. Her works address uncertainty, the uncanny, the ‘there / not there’, linked to an investigation, quintessential to both photography and performance of what it is the viewer is shown or is seeing.
www.sharonmurphy.ie
Geraldine O’Neill (RHA) is a member of Aosdána and has a particular respect for and understanding of the techniques and visual language used in the history of art. She has long responded to the increasing confrontation with human engagement and relationship with the ecosystem, in particular the Anthropocene whose traces are now embedded within the geological layers of the Earth’s structure. Playing with incongruities of time and space, she juxtaposes traditional references with scientific reasoning and contemporary perspective in large-scale and small scale compositions. Her works address protection and shelter from a domestic and environmental viewpoint to emphasise the fragility of life.
www.geraldineoneill.ie
GOMA Gallery of Modern Art
6 Lombard Street
Waterford, Ireland
T: +353 87 1961923